Critically listen to, solve problems for, and optimise the sound quality of acoustics and equipment setups in recording studio and live performance environments.Design, implement, and assess new technologies and/or new assembling of existing technologies for use in sound recording, electronic music composition, and/or post-production contexts.Devise, execute, and critique music production workflows that associate specific uses of recording technologies and both simultaneous and non-simultaneous, realtime and non-realtime creative processes in the studio.Carry out research and creative projects that are built upon best practices with regards to equity, diversity and inclusion, adopting an interdisciplinary approach that connects theory and practice, grounded in the literature that deconstructs the patriarchy and white supremacy of the audio field.Envision, create, and prepare for release audio artefacts that draw upon diverse aesthetics and genres in ways that successfully translate the sound images, ideas, and social identities of the musicians and production team to the target audience and intended listening environment with an awareness of international audio standards.The interdisciplinary approach of the programme also opens doors for them to pursue a career in education, business and management, and research and development. Our research-enriched pedagogy enables our graduates to apply a wide range of specialist practical skills, detailed knowledge, and informed judgement to studio-based tasks and other associated music production activities such as live engineering. Moreover, they have opportunities to contribute to group projects with non-academic partners to gain experiential knowledge in real-life settings and to expand their professional network. Students complete their productions in the well-equipped performance and recording facilities of the School of Arts and Creative Technologies. The programme offers a balance of theoretical lectures, listening seminars, and guided studio workshops taught by industry professionals and scholars. In this way, the evolution of aesthetics and genres are presented through economic, historical, and political lenses, empowering students to follow their artistic vision and to find their own voice in the global music industry. Informed by research from multidisciplinary perspectives (acoustics, cognitive psychology, cultural anthropology and sociology, engineering, feminist and queer theories, and musicology of production), this programme is designed both to convey the scientific principles behind sound reproduction and engage the new generation of music producers and sound engineers in a critical dialogue on audio cultures and the pressing needs to de-gender and decolonise the field. The MA Music Production & Audio Cultures programme aims to teach critical listening and studio practices for musical recordings based on creative uses of technologies ranging from various digital audio workstations through to tape machines, analogue console desks, and 3D audio systems. Whether you are a self-taught artist-producer who wants to make better recordings, or a trained recording engineer who wants to learn advanced techniques, this course will provide you with the critical thinking, listening and practical skills to realise your goals.
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